This may be an inspiration for our music video as although the main character will be a child younger than a teenager, we may still address the idea of speaking to your younger self and wishing you could reassure your younger self that it will all be okay.
Thursday, 29 September 2016
Inspiration - A Letter to Teenage Girls
In the pitch we did on Monday Caitlin Moran's 'A Letter to Teenage Girls' was mentioned. Here is a video of her reading the letter.
Wednesday, 28 September 2016
Our Music Choice
Although we are still working on the narrative of our music video, we have decided which music it will be set to and that is "Wash" by Bon Iver. I like this song as it is calming and I think easy to put a narrative over, as opposed to a song with more clear lyrics, which might steer the direction of the narrative. This song gives us full creative control.
Monday, 26 September 2016
Pitch and Audience Feedback
Here is our pitch for our initial music video idea. The idea changed quite a lot over the course of the pitch.
We got a lot of audience feedback and suggestions over the course of this pitch, so much so that our idea changed quite significantly. We were originally going to have a child running away from growing up in a Peter Pan-ish narrative, with the older version of the child meeting them and telling them that it will be fine and its okay to grow up. Audience feedback helped us to reflect on how difficult that narrative may be to convey, particularly without sound. So the idea developed into the story of an older girl moving away from home and reflecting on her childhood, perhaps with the more feminist angle of "this girl can" even though she was told she couldn't as a child. This idea hasn't been fully developed yet but the pitch was very useful as it reminded me that any narrative we do will have to be conveyed without sound.
We got a lot of audience feedback and suggestions over the course of this pitch, so much so that our idea changed quite significantly. We were originally going to have a child running away from growing up in a Peter Pan-ish narrative, with the older version of the child meeting them and telling them that it will be fine and its okay to grow up. Audience feedback helped us to reflect on how difficult that narrative may be to convey, particularly without sound. So the idea developed into the story of an older girl moving away from home and reflecting on her childhood, perhaps with the more feminist angle of "this girl can" even though she was told she couldn't as a child. This idea hasn't been fully developed yet but the pitch was very useful as it reminded me that any narrative we do will have to be conveyed without sound.
Friday, 23 September 2016
Song Idea- Dream
An idea I had for a song we could use was "Dream" by Tessa Violet. This is because it fits with the indie genre we had decided on and I like the beats of the song and think they would be good to edit to.
The lyrics are:
would you be embarrassed, think I'm being careless, if I said you're all I want and more
finger tips and collarbones, if I caught you on your own, would you mind my hand stitched into yours
I got it bad, bad, oh
I see you in my sleep
and I want you mad, madly
come running after me
you're in my bones bones oh I gotta let you go
but I don't know how when you're rooted in my soul
I gotta tell you
I had a dream last night you came back to me after our goodbye
My arms you fell into and you asked if I'd run away with you
I ain't felt that way before like I couldn't wait just a minute more
and I don't wanna let you go, but dreams slip away I know
You saw me clear as glass I thought you bold as brass, never knew how lovely love could be
forty hours give or take you call me when you are awake and from our phones we'll crumble time and space
I need you here here oh I see you in my sleep
and I want you dear dearly come running after me
you're in my bones bones oh I gotta let you go
but I don't know how when you're rooted in my soul
I gotta tell you
I don't know if you still think of me (come on come on over)
how you used to love me lovingly (come on come on over)
I know when we left we left a mess (come on come on over)
but if you ask, I promise I'll say... (come on come on)
We could use these lyrics to create symbolism and to match the visuals of our music video. For example, we could use soft focus to imply dreams.
The lyrics are:
would you be embarrassed, think I'm being careless, if I said you're all I want and more
finger tips and collarbones, if I caught you on your own, would you mind my hand stitched into yours
I got it bad, bad, oh
I see you in my sleep
and I want you mad, madly
come running after me
you're in my bones bones oh I gotta let you go
but I don't know how when you're rooted in my soul
I gotta tell you
I had a dream last night you came back to me after our goodbye
My arms you fell into and you asked if I'd run away with you
I ain't felt that way before like I couldn't wait just a minute more
and I don't wanna let you go, but dreams slip away I know
You saw me clear as glass I thought you bold as brass, never knew how lovely love could be
forty hours give or take you call me when you are awake and from our phones we'll crumble time and space
I need you here here oh I see you in my sleep
and I want you dear dearly come running after me
you're in my bones bones oh I gotta let you go
but I don't know how when you're rooted in my soul
I gotta tell you
I don't know if you still think of me (come on come on over)
how you used to love me lovingly (come on come on over)
I know when we left we left a mess (come on come on over)
but if you ask, I promise I'll say... (come on come on)
We could use these lyrics to create symbolism and to match the visuals of our music video. For example, we could use soft focus to imply dreams.
Monday, 19 September 2016
Performance and Narrative Videos
Something that I have noticed is that music videos are hardly ever either narrative and performance, usually a mixture of both. This is what we as a group would like to do. Most of the time this is a character in the video lip syncing or cuts to the artist performing dispersed throughout the narrative. Here are some examples:
Tuesday, 13 September 2016
Thriller Music Video and Narrative
The Thriller music video was a game-changer for music videos in that it introduced the concept of an extended narrative to a music video, which is something that we as a group might be interested in.
Since this video was released, most music videos contain at least some kind of narrative and some are entirely narrative. Some examples are below and I have noticed that they often contain a shocking twist at the end.
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